Reviewed
by: Pete
Barber
Genre:
Science Fiction/Dystopian
Approximate
word count: 70-75,000 words
Availability
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on a YES above to go to appropriate page in Amazon, Barnes &
Noble, or Smashwords store
Author:
“Harry
Manners is a British author of science fiction and fantasy. His work
revolves around themes of isolation and destiny, the power inside,
and good old-fashioned battles between good and evil.
When
he's not writing, he spends his days as a science student, reads
everything he can get his hands on, and occasionally chats about
science on the radio.”
Description:
“It’s
2087, and the Earth’s climate is in wild fluctuation. The Amazon
Basin is a sun-baked graveyard, the Gobi is blossoming into tropical
beauty, and Manhattan is a swamp of the risen Atlantic. Old paradises
are becoming new wasteland, old wasteland a new breed of paradise.
Nowhere
is safe. Millions flee the world’s cities. But where do they run
to?
The UN has an answer: the Eden Projects, colonies drawn from all nations, leading the charge in developing new technologies to help start over.”
The UN has an answer: the Eden Projects, colonies drawn from all nations, leading the charge in developing new technologies to help start over.”
Appraisal:
I
enjoy dystopian fiction—and isn’t there a lot of it
about—coincidence? I think not. But often these novels take place
when the “new order” has already been established. Our Fair
Eden’s main character—Desh—is dropped into the middle of an
Eden Project, which gives us a chance to see the social constructs
and technology through the eyes of a newcomer—that seemed like a
nice slant on an interesting premise.
Sadly,
though, for this reader, the characters and the system of government
in the project never seemed plausible or likely. Unable to suspend
disbelief, I struggled to really care about the main character, or to
believe in the political systems or the technology. Many concepts
presented were interesting—such as implications of chemical control
of the population and cloning. But they were grazed over and never
really developed, which gave the story a rushed feel with
unsatisfactory or unlikely outcomes to the main scenes and to the
story itself.
The
writing was easy on the eye, and the copy was clean and well edited.
The story just didn’t work for me.
Format/Typo
Issues:
Very
few typos. British spelling.
Rating:
*** Three stars
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