Reviewed by: Keith Nixon
Genre: Thriller
Approximate word count:75 -80,000 words
Availability
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Author:
Jason Beech
is a Sheffield born author who now resides in New Jersey with his wife and
daughter. When not writing Jason coaches soccer. Over The Shoulder is his first novel.
You can
learn more about the author at his website.
Description:
Tony
Mortimer is a gangster living a double life. He has to kill his old school
friend, Jonah, to prove his worth to his boss, Frederick, who is beginning to
suspect Tony is moonlighting.
But Tony
wants to get out of the life, he’s in love with Diane. But his family keep
pulling him back.
Appraisal:
This was a
frustrating read. It had promise, but I struggled to connect with the
characters. Two problems result from here. The first is their sheer number –
five brothers and several sisters, plus their partners, along with the cast of
bad guys such as Frederick and his number one, Lansky. The second is an almost
total lack of description. All I saw was a series of names and very little, if
anything to distinguish between them.
For example
Jonah. Okay he’s only in it for a page or so. But there is a significant reveal
at the end resulting in a twist that was a damp squib because of the missing
detail. Jonah is of a certain appearance, but it’s a blink and you’ll miss it
aspect after Mortimer has shot him. It is there (I searched for it) but I failed
to catch it.
This lack
of description is pretty typical throughout. Events happen, but there’s little
to give you a clue of the surroundings, people, atmosphere etc. The result? I
didn’t get into the story or love the characters, I had no empathy.
On a more
minor note there were inconsistencies. Sometimes Frederick was referred to as
Fred, then Frederick again. Distracting. Also a use of local dialect came and
went. For example ‘yer’ would pop up in dialogue, followed very quickly by
‘you’, the correct word. I don’t mind dialect, just stick with it.
The
sentences were sometimes mangled and words often repeated (a particular pet
hate of mine, which may not bother others). An example of this:
Sam scanned the jobs in the paper
for his new life as a civvy. When with his civvy friends it always pleased him
to think they thought him a renegade, because within the family he was firmly
considered square.
Or:
Tony couldn’t compute. Jonah felt
his shoulder. It looked like it thudded.
There were
also cases where perspectives shifted mid-scene, moving from one character, to
another, then back again or even to peripheral people who had no part to play.
And odd stuff such as when Tony and one of the many relatives are walking in a
park, then suddenly thinks others seeing them may consider them gay lovers. Why
does this matter?
All in all
a frustrating story that I failed to connect with.
FYI:
Some
swearing.
Format/Typo Issues:
Minor
issues.
Rating: ** Two Stars
1 comment:
Thanks for the feedback.
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