Reviewed by: Pete Barber
Genre: Science Fiction
Approximate word count: 100-105,000 words
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Author:
Here’s what the author says about himself: I publish under the name R. Leib. (I am not Bart R. Leib. He is somebody completely different.) "The Negative's Tale" is my first novel.
I am currently working on a volume of short stories and another science fiction novel.
I am something of a dinosaur. Most of my 30 years in the computer industry was spent developing and supporting software for mainframe computers. (For those of you too young to know what that is, mainframe computers were large, expensive, and very complex forerunners of modern day servers and PCs.) After studying science (the real stuff), reading science fiction, and working in a technical field, it made sense for me to express my creativity in writing science fiction.
Description:
I am currently working on a volume of short stories and another science fiction novel.
I am something of a dinosaur. Most of my 30 years in the computer industry was spent developing and supporting software for mainframe computers. (For those of you too young to know what that is, mainframe computers were large, expensive, and very complex forerunners of modern day servers and PCs.) After studying science (the real stuff), reading science fiction, and working in a technical field, it made sense for me to express my creativity in writing science fiction.
Description:
Set in a far
future where close-to-light-speed travel permits spaceships to traverse the
universe, the novel follows the life and adventures of Allon Wu whose
“negative” psychic abilities enable him to enter the minds of other psychics
and channel their powers.
Appraisal:
I don’t
read much sci-fi nowadays (I was a big fan in my younger years), but I do
sample a lot, always searching for a title that will appeal. The Negative’s Tale did fit that bill. I
enjoyed the sample, and indeed the first part of the story immensely. I
finished the book last night and I’ve been struggling with how to write the
review ever since. So, this may be a little unconventional:
I think
this novel is actually three stories compressed into one. It would work very well
as a series in my opinion, but in combination, not so much. So, I’ll review
each part.
The story
opens with Allon Wu hanging out on a beach in a spacecraft that has multiple
domes, each with a different simulated environment. We learn in flashback how
Wu’s arm was disfigured—a well-written and exciting scene. Then we flash back
to a ten-year-old Wu’s training as a “negative.” There were certain shades of
the early episodes of TV’s Kung Fu,
especially regarding the way the student, Wu, related to a wise, old professor.
This was fascinating to me, and I was totally hooked on the story at this
point. I think, had Wu then gone on to have a single adventure using his newly
learned skills, I’d have been happy to read, “The End” and look for the next
book in the series.
However,
the story started to meander. It morphed into a whodunit where Wu had to chase
down and discover the identity of a murderer. This all took place near a
distant planet, on a vast spaceship, and frankly, it was heavy sledding. Wu
would pick up clues, but never reveal what they were, merely say “Ah, I’m
nearly ready to reveal the truth,” and move on to gather another clue. There
were dozens of new characters introduced and everything became confused for
this reader. Also, I hate having an author keep secrets—it makes me feel like
I’m being talked down to.
Then the
third part of story took place on the native planet of a race known as the
Hydran—huge crab-like creatures with psychic abilities and strange mating and
fighting rituals. Let me tell you, Wu needed all his wits to complete his
mission on that crazy planet. I enjoyed this section, but it was rushed, and I thought
the premise strong enough to support a significant expansion.
Allon Wu
was a terrific character. His “negative” abilities were fascinating. The space
opera aspects and time travel explanations woven throughout seemed technically
valid to me and the science added to my enjoyment. I just didn’t think the story
was focused enough, which is a shame.
If it were
my writing, I’d hire an editor—especially to fix the point of view, which was
all over the map and there were multiple occurrences where the author related
scenes twice (same action but different perspective). Also, much of the story
was told in flashback, or related as a story narrated in flashback whilst in a
flashback—yikes!
Separating
the stories would remove that complication by delivering three separate story
arcs told in sequential time and anchored by Allon Wu.
Format/Typo Issues:
Too few to
mention.
Rating: *** Three stars
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