Reviewed
by: ?wazithinkin
Genre: Epic
Historical Fantasy / Paranormal Romance
Approximate
word count: 100-105,000 words
Availability
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Amazon, Barnes & Noble, or Smashwords store
Author:
“Vera Nazarian is a two-time Nebula Award Nominee,
award-winning artist, and member of Science Fiction and Fantasy Writers of
America, a writer and reader with a penchant for moral fables and stories of
intense wonder, true love, and intricacy.”
Ms. Nazarian “lives in a small town in Vermont, and uses
her Armenian sense of humor and her Russian sense of suffering to bake
conflicted pirozhki and make art.” The
second book in her Cobweb Trilogy, Cobweb Empire, is available now and Cobweb
Forest will be released this December. To learn more about Ms. Nazarian
check out her website.
Description:
Appraisal:
This book and I got off on a rocky start. The premise sounded
intriguing to me so I picked it up. The
problem I had with it was the over description of every tiny detail. I got lost
in all the words, they were good words, well written poetic words. There was
just too much time spent on every detail and my head was swimming with
unnecessary words that didn't move the story forward. Three different kingdoms
in the Imperial Realm are examined in minute detail.
In Lethe, the old Queen lies on her deathbed unable to die. Death
appears and states his plea for his Cobweb Bride to the Prince. The Prince
sends out a decree in search of the Cobweb Bride, all families must send a
daughter of marriageable age to Death's Keep that stands in the Northern
Forest.
On the frozen lake of Merlait to the north there is a battle raging
between the forces of Duke Ian Chidair, known as Hoarfrost, and the armies of
his neighbor, the Duke Vitalio Goraque. From a single moment on all the
causalities become the walking dead, including both Dukes. Hoarfrost is
unwilling to give up his status because he is undead and begins a campaign to
capture the jail the girls who have been ordered to seek Death's Keep in an
attempt to prevent Death from finding his Cobweb bride as a way to keep his
dead self undead.
Death's third stop was a poor dwelling in the
Dukedom of Goraque where a peasant woman lay dying. Percy's grandmother, whose
whole history is given. Persephone is described as a somewhat dull-witted,
slow, sickly anemic, plain, unbecoming, and willful. She becomes our heroine as
she leads a band of girls to Death's Keep. This small band of girls is where
the story finally gets interesting as we follow them on their trek to Death's
Keep. They are joined by her Imperial Highness, the Infanta Claere Liguon, the
princess and Heir to the Realm, who has been murdered by Marquis Vlau Fiomarre.
The Marquis, in a twisted sense of duty, also accompanies Claere in order to
protect her. I found this Stockholm type syndrome to
be quite disturbing as they are becoming quite fond of each other.
Here is an example of one sentence that shows the author’s writing
style and the relationship developing between the living Vlau and the dead
Claere.
And now, here he was, and here she was, and it
seemed at rather odd moments that the carriage was closing in on him, on her,
and they were sharply aware of one another again, relieving that moment of
greatest closeness and intensity, the stroke of death, the drawing of life that
bound them together.
Hmmm, I seem to have captured a typo here also. I do believe the word
“relieving” is meant to be “reliving”. There are a small number of proofing
errors that didn't detract from the story overall. What was aggravating was the
loose story ends that were not addressed. I can only suppose that they will be
picked up and explained later in the trilogy, but with as much jumping around
as there is in this book why even bring them up at this point at all?
My assessment is that as the author became more comfortable with her
story the writing improved. I think much of the set-up could have been handled
in flashbacks and improved the flow of the story. Ms. Nazarian also took an
interesting aspect of death to the extreme by including crops and livestock in
her no-death scheme. As the stores of past harvests were depleted the newest
grains became tasteless and the meat from the livestock never died or cooked
properly. It was all rather chilling to read.
What will be interesting now is to see how our heroine Percy, who
develops a strange connection with Death himself after reaching the Keep, goes
about finding the true Cobweb Bride. It seems that Death can't see her because
she contains a piece of him, however, Percy will be able to. Out of her small
group she is the only one who could actually see Death and communicate with
him. She is not the incompetent that her family saw her as. She has caught the
eye of Beltain, the son of the Duke known as Hoarfrost. The quest for the
Cobweb Bride is now on with Percy leading the way and Beltain at her side.
FYI:
Originally written for Awesome Trilogies and Series book blog.
Format/Typo Issues:
There are a small number of proofing errors.
Rating: *** Three Stars
2 comments:
Since reviewing Cobweb Bride, I have decided that perhaps this book is written in the style it is to reflect the era of the story. Which was a clever style choice by Ms. Nazarian. I am not sure about this theory though. I would have to read "Mansfield Park and Mummies", "Northanger Abbey and Angels and Dragons", or "Pride and Platypus: Mr. Darcy's Dreadful Secret" to check it out.
What I chose to read was "Vampires are from Venus, Werewolves are from Mars: A Comprehensive Guide to Attracting Supernatural Love" instead. This is a very entertaining parody with a lot of satire and a very different writing style. You can read that review here at Books and Pals.
I picked this up last week since it looked interesting. Thanks for the insight. :)
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